Rating the Super Bowl Logos: Part VIII

Previously in this series: Part I | II | III | IV | V | VI | VII

Super Bowl XXXVI: A good enough logo for the first Super Bowl after 9/11. The United States and flag motif is used very well, the fonts are agreeable, it looks dynamic, and the whole thing really makes it feel like America’s game. Primo! (Sadly, it doesn’t look so good in 2-D.) This is going to sound insensitive, but 9/11 certainly saved the NFL from the awful logo they previously had in mind for this game. Yes, apparently that thing is not a fake and really would have represented a sizeable step backwards from the recent trend. Grade: A+.

Super Bowl XXXVII: Well, the lighthouse motif works a bit better than the Semaphore flags, and this time they managed to make the width of the Roman numeral not quite so distracting as in XXVII. (Now if there were more lighthouses over to the sides it would be a different story.) It’s a perfectly serviceable logo where the elements all make sense for what they’re trying to accomplish. I even like the big “V” in the Roman numeral. Grade: B.

Super Bowl XXXVIII: Simple, yet effective. Nice and symmetrical, with the orbit motif being easily recognizible and associated with Houston. The one thing that bumps it down is that it’s arguably too simple, and doesn’t feel special enough for a Super Bowl. And what’s for the vaguely electronic font for “Super Bowl”? Grade: B+.

Super Bowl XXXIX: Remember when I said that the XXXVII logo managed to avoid the Roman numeral looking too awkward? Yeah, you can’t say that for this logo. Whatever that thing at the top is, it’s barely recognizable (is it a bridge, or the stadium itself?), which makes it a perfect symbol for Jacksonville, and both it and the “Super Bowl” are dwarfed by that huge Roman numeral just sticking out there, with legs holding it up and the pointless little wave at the bottom. They actually made it worse that the “I” is stranded among the Xs. All in all, not the best effort. Grade: D+.

Super Bowl XL: A very different, simple approach. They deliberately went for the “car” look, with the “Super Bowl” looking vaguely like hub caps. You just have the huge Roman numerals and the red and blue stars that would be repeated for the next four Super Bowls. It’s the simplest logo in years, yet it still manages to look modern. Overall, a quite appealing logo. Grade: A.

Next time, we wrap up with Super Bowl XL’s cousins and the worst Super Bowl logo ever!

Rating the Super Bowl Logos: Part VII

Previously in this series: Part I | II | III | IV | V | VI

Super Bowl XXXI: Now this logo says “New Orleans” to me. Although it’s also a chaotic logo: the colors are too similar and weird in their own right (seriously, teal and purple?), the ribbons are hard to make out in close-up and impossible, and the Roman numeral just looks weird and hard to read. The crown would work better and maybe even save this logo if it were easier to make out. All told, there were probably better ways to say “Mardi Gras” than this logo. Grade: C+.

Super Bowl XXXII: Now they decided to get cute and have the Roman numeral represented by Semaphore flags, because… um… San Diego isn’t known for much. But I guess a sea mammal would be mistaken for Miami, and they couldn’t figure out how to represent comic book nerds in a Super Bowl logo. It actually works pretty well and is surprisingly readable (and it’s really surprising no one would mistake the II for a III), but it’s still kinda distracting. The compass rose points are almost pointless, and the “Super Bowl” itself, viewed in close-up, almost makes this look like a place where you can get fish and chips for $9.95. Which would be weird if they combined that with a comic book store. Grade: C+.

Super Bowl XXXIII: This logo almost looks like it belongs in Las Vegas. I knew Miami was weird, but not that weird (though admittedly this is probably the most Miami-like of any of their Super Bowl logos). While previous logos looked triumphant, almost trophy-like, this logo subtly goes in a different direction – literally. What is it even supposed to be? A casino sign? Yeah, because that’s what you want to associate with the Super Bowl. What’s with the little dots over to the side? What’s going on? At least it’s readable, and works for whatever it’s trying to accomplish, and is actually vaguely iconic as Super Bowl logos go, once again making it feel like a party, because when you really analyze it it looks like D material. Grade: C.

Super Bowl XXXIV: For the new millenium, the NFL basically just reappropriated its own logo for a Super Bowl logo. I’ll get into the stupidity of that later. It’s generic and works for what it does, though the tilt makes it look like it’s about to take off, but the real star of this logo is the awkward Roman numeral, now fat in a different way from some of the 80s logos. And the NFL logo has always looked like a highway logo and especially so here. I almost don’t get the point of appropriating it, because it’s clearly the NFL logo, but it looks different enough that a lot of its impact is dulled. Grade: C.

Super Bowl XXXV: I don’t get this. On the one hand, it’s trying for a pirate motif in Tampa, which is good because it’s appropriate and pirates are cool. On the other hand, the Roman numeral is really fat and colored similarly to the background, like it’s trying to hide. That’s something the tiny “Super Bowl” banner can’t really save. And what is it supposed to look like, anyway? Grade: D+.

Rating the Super Bowl Logos: Part VI

Previously in this series: Part I | II | III | IV | V

Super Bowl XXVI: A return to the XIX and XX era. This logo looks really retro; it almost looks like a jukebox. The Roman numeral isn’t grotesquely fat and in fact reminds me of the good Super Bowl XXII logo, but it’s not as readable for some reason on long shot, and I can’t get past the old-fashioned “Super Bowl” wording, and what’s with the weird motif of a football shooting up? Well, on the plus side, that’s the most football-related element we’ve yet had. Grade: C-.

Super Bowl XXVII: This is another milestone in the march to modern logos. This logo and the next one will slowly transition the Super Bowl logo away from using blue all the time. The rose motif is better integrated with the rest of the logo this time, and the effect would look really nice…except the Roman numeral is so wide and dominates the logo. It’s still a good effort, it just makes an odd mixing with the roses when the Roman numeral is like that. Or maybe my problem is that the roses are so far apart, I don’t know. Grade: B-.

Super Bowl XXVIII: Now we’re getting really modern. We’ve finally escaped the fonts of the 80s and early 90s, and now we have a serviceable circular logo of a peach (no butt jokes, please, although can you find the moon?) surrounded by a banner (which doesn’t really help the butt metaphor) with the Roman numeral. The circle would look generic if it weren’t for the peach that helps represent the host city, and the Roman numeral, despite the colors and blending together, is actually quite readable. Grade: B+.

Super Bowl XXIX: I’d expect this for a Super Bowl in Arizona, but more on that in a minute. This motif really doesn’t say “sun” to me. And what’s up with the way the Roman numeral bulges out like that? And what’s up with the font for “Super Bowl”? This logo actually looks pretty good from afar, but it is a bit generic and confusing, and doesn’t say anything in particular. Grade: B-.

Super Bowl XXX: This isn’t the best logo for getting away from the pornographic implications of the Roman numeral, but it certainly could have been worse. It actually reminds me of those Vin Diesel/Ice Cube movies from the early part of this millenium. The overall motif actually works pretty well if you know what it’s going for, although you could argue that it looks like a bunch of random shapes, the Roman numeral itself is kind of hard to read, and the “Super Bowl” is tiny. Grade: B-.

Rating the Super Bowl Logos: Part V

Previously in this series: Part I | II | III | IV

Super Bowl XXI: A very different approach from the last few, this goes for an even more retro look, while still achieving a new milestone for the future. This is the first Super Bowl logo that actively tries to represent its home stadium with the rose motif, which is very abstract and avant-garde. It’s also very asymmetrical, and I could do without the “Super Bowl” font. It barely even looks like a logo; it’s like they tried desperately to get all the elements they wanted to fit. There is a time and place for the diagonal phrase, but this wasn’t it. Grade: C-.

Super Bowl XXII: This one goes back to the same approach used for recent Super Bowls, to very good effect. It’s nice and simple, the “Super Bowl” font is retro but in a way that befits the toughness of the game, and unlike those earlier games, the Roman numeral isn’t fat and distracting. This is one logo that really makes the game look important, and I wouldn’t be surprised if this was the model for many of the 90s logos. Grade: A-.

Super Bowl XXIII: Is this a real game, or a video game? With the generic triangles, generic and blocky Roman numerals, and blocky, vaguely pixelated, asymetric “Super Bowl” (most apparent close up), I wouldn’t be surprised if this was made for the Atari 2600 (or at least the original NES). What’s up with the white poofy collar? Why are the triangles placed where they are relative to the Roman numeral? Why is “Super Bowl” so small, are they trying to hide that this is a recycled video game logo? Can I use Bo Jackson to pwn people’s asses in this game? Grade: C.

Super Bowl XXIV: Now they decided to really get modern, and instead of focusing on strict geometrical shapes, have an impossible banner wrapping around the Roman numeral at an angle. The banner kind of makes it seem like a party, but I can’t keep my eyes off the Roman numeral. It’s so blocky (especially viewed close up where you can see the interior gray lines), and vaguely reminicent of the horrible Super Bowl V logo, that it seems an odd fit with the informal “Super Bowl”. Points for effort, but it’s still an awkward logo. Grade: C+.

Super Bowl XXV: A return to the geometrical shapes. This logo re-uses many of the best elements of the Super Bowl XXII logo, and puts it in a vaguely pentagonal shape. The “Super Bowl” doesn’t wrap around the Roman numeral, which helps with readability, and the motif all around it helps it look like a real logo. It almost looks like a police badge or a shield. Once again, a simple logo that gets the job done. Grade: A.

Next time: Logos that looks like the recent logos!

Rating the Super Bowl Logos: Part IV

Previously in this series: Part I | II | III

Super Bowl XVI: Similar logo to the last one, but now it’s gold-embossed and in a fat font with sharp edges. They really tried to make this one look special. And yet… something seems off. Maybe it’s how 80s it all is. Maybe it’s the trapezoidal serifs on the Roman numerals. Maybe it’s something off-putting about the embossed look, like it kind of looks like it’s a logo for Publisher’s Clearing House giveaways. Maybe it’s how it manages to be complex and simple at the same time. But somehow, this seems like a step down. Grade: C+.

Super Bowl XVII: I guess if Pasadena isn’t known for making cars, it’s known for driving them, because this is the second straight logo for a Super Bowl at the Rose Bowl that looks like the front grille of a car, and the comparisons are even more obvious. “Haven’t you heard? The Super Bowl XVII is so much better than the Super Bowl XIV!” This is another candidate for “first modern Super Bowl logo” with the long rounded rectangle containing the words “Super Bowl”. I’m not necessarily feeling this one either; it hasn’t aged well. The long bottom of the “V” is the main thing putting me off, but there’s also how fancy they tried to make the words “Super Bowl”, which can make it hard to read, and the general perplexity of making the Super Bowl look like a car brand. I’m actually vacillating between whether this is a good logo or a bad one, but I’m kind of leaning bad. Grade: C.

Super Bowl XVIII: Simple yet effective, with the “Super Bowl” banner curving impossibly against perfectly serviceable Roman numerals… and yet the font of the words “Super Bowl” kills it instantly. Just look at how wild those letters are and how they manage to make the whole logo cheezy. Although looking at it in long shot, the way the letters of the Roman numeral are crammed together doesn’t help. Grade: C+.

Super Bowl XIX: This is the opposite of the Super Bowl XVIII logo: the “Super Bowl” that flanks the Roman numeral is perfectly servicable, if in a funky 80s font, and the whole pseudo-circle motif really makes this feel like a big football game, but my god, that fat Roman numeral! It’s not as hard to read as you might think, but it’s still an ugly 80s number. Grade: C.

Super Bowl XX: Well, points for looking like the Broadway Video logo. And the Roman numeral, while still fat, isn’t quite as distracting as on the last logo and tries to fit in better. It’s still very 80s, but its simplicity manages to save it from being completely irredeemably cheezy, and instead gives it a certain retro charm. It actually looks like a logo from the 60s or 70s if it weren’t for the fact the Super Bowl didn’t have that kind of logo in that era. Grade: B.

Rating the Super Bowl Logos: Part III

See Part I and Part II of this series.

Super Bowl XI: Basically, a reprise of the Super Bowl VIII logo, only with red, white, and blue colors. I guess because this was the year AFTER the bicentennial and this game was held at the Rose Bowl instead of the South. Oh, and it’s also cramped even though the Roman numeral theoretically takes up less space. All told, this version probably wasn’t quite worth the lack of effort. Grade: C.

Super Bowl XII: Ooh, now they’re really getting fancy! See how it looks like the Roman numeral was signed? This may well be the first Super Bowl logo in the “modern” sense. Now to nitpick: I’m not feeling the font or colors, and the “signed” Roman numeral is painfully 70s and cheezy – and for that matter, hard to read, since it kind of looks like it says “X-11”. Points for effort, and this isn’t a complete embarrassment, but the Super Bowl logos still don’t have a good track record when they try. Grade: C-.

Super Bowl XIII: Simple and generic, but effective. I especially like the dots that form the Roman numeral like it was displayed on a scoreboard, which actually doesn’t lose its legibility close up. The red and blue motif returns as well. My one complaint, if it is a complaint, is the blocky lettering used for the words “Super Bowl”. All in all, however, the best Super Bowl logo done with any effort yet. Grade: B+.

Super Bowl XIV: Well, instead of signing the Roman numeral, they decided to sign “Super Bowl” itself and put the Roman numeral in fat block letters. It actually vaguely looks like the front grille of a Cadillac. “Yeah, I drive a Super Bowl XIV. What’s yours?” This logo doesn’t quite get me ready for some football, but the cursive here isn’t as much of a crime as that from two years ago, even if it is still cheezy and hard to read. Grade: C+.

Super Bowl XV: Went back to the generic route for this one, although the colors are aligned with those of the Saints. This logo is so painfully generic there isn’t much to say about it, neither offensive nor outstanding. I waffled between B- and C+ for this one, and if it didn’t immediately follow the XIV logo it might get a C+. Grade: B-.

Rating the Super Bowl Logos: Part II

See Part I of this series.

Super Bowl VI: After Super Bowl IV’s vaguely Old West styling, this logo goes all the way to looking like it belongs on the door of a saloon, so naturally it represents the Super Bowl’s return to New Orleans. For a Texas Super Bowl, I’d call this possibly the best logo yet. Instead, the saloon-style lettering is just distracting and confusing, maybe even trying too hard to be cute. This is supposed to be the Super Bowl, not a bar fight. Grade: C+.

Super Bowl VII: Oh dear Lord. I’m pining for the glory days of the Super Bowl V logo. It’s the same red and blue striped pattern (in the same font no less) as the Super Bowl V logo (though they did get rid of the awkward smoothed corners on the “E”), only darker and with no white, so it’s really hard on the eyes, and that big blue drop shadow only makes matters worse. The good news is that it looks solid purple from a distance, but then it still looks incredibly generic, like something out of “2001”, and you have to start wondering what the point was. Grade: D.

Super Bowl VIII: Ooh, they spruced it up a little! This is the most distinctive font we’ve had yet, and they fiddled with the presentation a little too! Now the “S” and the “VIII” are a bit bigger than the rest of the words “Super Bowl”. Very nice. Not a bad logo, and vaguely appropriate to this year’s Houston setting, though Tampa would be even more appropriate, since it looks like something a pirate would put up. If I had to nitpick, I’d probably mention the awkwardness of the whole thing, but it’s a minor point. Grade: B.

Super Bowl IX: The Super Bowl continues its quest for less generic logos, and this one I’m not feeling so much. It looks like the intro to a 70s TV show like Three’s Company or something. Because when I look at a Super Bowl logo, I want to be reminded of Three’s Company. And what’s with that little curly thing on the “X”? Is it even supposed to be an “X”, or is it saying horns won’t be allowed in the stadium? Is it some sort of musical notation? Is it a symbol of the Illuminati? Does it point to where the treasure is buried on the back of the Declaration of Independence? Throw me a bone here! Grade: C-.

Super Bowl X: A very serviceable logo with a modern-looking font, with the words “Super” and “Bowl” stacked on top of one another, letting the “X” to the side dominate. Considering this was the tenth edition, I would suggest that maybe more could have been done with the “X”, but it’s still early in the history of Super Bowl logos. Super Bowl IX was the most they’d done with the logo, and we all know how that turned out. But the real question I have is: Why does the leg of the “L” turn into one of the legs of the “X” like that? It’s the one off-putting thing about this logo. Grade: C+.

Rating the Super Bowl Logos: Part I

Partial credit for this idea must be given to the inimitable Lore Sjoberg’s Book Of Ratings, which despite showing its age and not being updated in a while, rates such important things as “Ways To Go Straight Up” and “Aspects of the ATM”, and will tell you, among other things, the clue hiding in plain sight that is the key to capturing Santa Claus and ruining Christmas in a sappy Christmas special. Because I take this sort of thing quite a bit more seriously than he does, and I’m not always quite so imaginative, don’t expect this to be quite so humorous as his entries, but do expect to find it informative and entertaining.

We have reached the end of an era. After 45 years, starting with Super Bowl XLV, the Super Bowl logo will follow the same basic template each year, changing only in the stadium and the Roman numerals. No longer will each Super Bowl have its own distinctive logo giving it its own personality, emphasizing each individual game as an event in its own right. Now every Super Bowl will have virtually the same logo as every other Super Bowl. On this momentous yet sad occasion, I felt it appropriate to look back on the corpus of Super Bowl logos and find out the best, the worst, the ordinary, and the extraordinary.

Super Bowl I: Yes, when the Super Bowl first started it wasn’t known as the Super Bowl, but as the “AFL-NFL Championship Game”. Even granting that, though, I love how this isn’t even a logo; the word “Game” is on the same line as “AFL vs. NFL”. It’s like they added the red and blue outlines to the league names just to spice it up a little, so that when people asked their friends to go to the game with them they’d ask “How do you do that, with the league names in white with colored outlines?” Seriously, I know it was the 60s, and this was probably intended as an exhibition or something (remember, “the AFL can’t compete with the NFL”), but if you’re billing it as a “World Championship Game”, surely you can come up with something better than this to promote it with! Grade: C-.

Super Bowl II: Wait, I thought I’d read that the game wasn’t known as the “Super Bowl” until the third or fourth iteration. Yet here we see the logo refer to it as the “Super Bowl” as early as the second. Although I wouldn’t be surprised if this logo was a retcon anyway; it’s incredibly generic to the point of maybe even being the same font as the first game’s logo, only all caps and with a bit more color. Massive points just for creating something that looks more like a logo than the last one, at least. Although if the first logo is a retcon too I’m tempted to drop it all the way to an F. Grade: C+.

Super Bowl III: Now things start getting interesting, at least a little. The logo has escaped out of the clutches of 60s-style fonts. It’s a lot bigger now, taking up two lines, and the words are red and blue without any outlines. It’s still very generic, which makes the move to two lines a bit head-scratching, and I could do without the stars that make it hard to read close-up, but overall, considering we’re decades away from true logos in the modern sense, a very commendable effort. Though I sense they were going for a patriotic motif, which would make a little more sense for the bicentennial or something. Grade: B-.
 

Super Bowl IV: A smaller version of the Super Bowl III logo, drained of all its color (it’s now just white with a dark yellow outline and shadow) and adopting an Old West font, which I’d expect for a Texas Super Bowl, but not one in New Orleans. Maybe the colors are supposed to match those of the Saints, but still. It somehow becomes more generic than the last one despite the motif. Props for the shadow representing a little more effort, but it seems that effort was taken away from any attempt at distinctiveness, or of making the game look important. Grade: C.

Super Bowl V: Yes, we’re officially in the 70s now. Now we get this red-and-blue stripe pattern that’s hard on the eyes, a nominee for “Gayest Super Bowl Logo Ever”. What’s worse is how atrocious the font is, like it was computer-generated or something. I’m supposed to take this seriously as the representation of the championship game of your newly merged league? Grade: D+.

Some housekeeping notes, and a Week 17 playoff watch

The lineal titles are, belatedly, updated, and I think I’m somewhat lucky that none of the college titles are being defended until after the new year.

The Golden Bowl tournament, however, is probably not going to happen this year, and maybe ever. Somehow it has always managed to monopolize a lot of my time during every winter break, and the process of selection chews up a lot of time and brainpower just as the fall quarter at school starts ramping up towards finals. Perhaps once I’m finally out of school I’ll start it up again – heaven knows we’ll probably be no closer to a playoff then. I do want to say a few things about how the bracket would have shaken out:

The top six teams in the RPI are all from the SEC or Big 12, with attendant effects on selection, including Oklahoma probably getting a top-three seed, a possible third SEC at-large in Alabama, and all other conferences getting squeezed out of at-larges, including Stanford and Ohio State. Had I decided to cap at-larges at 2 per conference, they and Michigan State would have been key contenders.

Thanks in part to my Rose Bowl Semifinal rule, Oregon is hard-pressed to even get a first-round home game; the Pac-10 was weak this year. Wisconsin barely stood out among a field of Oregon, TCU, Boise, and V-Tech.

Finally, Connecticut actually barely got edged by UCF for the 13 seed, so the 3 would be a lot less valuable than the 2 this year, and the 4 substantially more valuable than the 5.

For the Playoff Pictures, anything that’s not self-explanatory is in the notes. Thick borders cannot be crossed, and I didn’t bother to research common-games tiebreakers for playoff positioning.

AFC Playoff Picture
DIVISION
LEADERS
WILD CARD NOTES
SOUTH
49-6
511-4 ONLY AFC SOUTH
CONTENDERS
HAVE NOT CLINCHED
PLAYOFF SPOT
8-7
WEST
310-5
610-5
CLINCHED
NORTH
211-4
STILL POSSIBLE:
11-4 511-5
EAST
113-2
611-5
CLINCHED
NFC Playoff Picture
DIVISION
LEADERS
WILD CARD NOTES
WEST
47-8
511-4 PACKERS BEAT
GIANTS AND WIN
COMMON GAMES
OVER BUCS
6-9
EAST
310-5
69-6
9-6
NORTH
211-4
9-6
CLINCHED 9-6
SOUTH
112-3
11-4
OUT ON TIEBREAKERS CLINCHED PLAYOFF SPOT

Sunday Night Football Week 17 Selection Post-Mortem

Week 17 (January 2):

  • Selected game: St. Louis @ Seattle.

Two years ago, two sports-media columnists got into an argument over whether the NFL was compelled to select an AFC game for Sunday Night Football Week 17. One of them claimed that the NFL was bound to keep the balance of primetime games taken from CBS and Fox relatively even, and the NFL had taken so many Fox games that they absolutely had to take a CBS game Week 17. The other disputed his claim but eventually conceded, and it turned out to be irrelevant because the only game guaranteed to be relevant before primetime was Broncos-Chargers for the AFC West crown.

But for me, that was only the beginning. After all, a rule like this would surely be relevant to my own attempts to predict the Sunday Night games, so even though the columnists in question never directly stated what it was, I surely needed to know. Intrigued, I decided to count the number of games taken from each network over the course of that season and found that the balance was Fox 22, CBS 19. That meant that the balance couldn’t exceed 22-20, which didn’t make sense to me that a rule that restrictive would be that obscure (after all, the NFL would be constantly restricted from flexing away from one network throughout the season!). Still, for the last two seasons, the initial distribution of primetime games has fit the 22-20 rule. This season, however, it will not end that way. With the selection of Rams-Seahawks in primetime Sunday night, the final distribution will be Fox 24, CBS 19. (The decision by the NFL to go head-to-head with the World Series added an additional primetime game.)

Now, in rereading the posts from two years ago in preparation for this one, I find reference made to the popularity of the NFC over the AFC over time, which could be construed to span multiple years, and any “violation” of the 22-20 rule would merely mean that we should expect the balance of games next year to take more games from CBS. (And that particular link seems to imply that the hit would primarily fall on the teams themselves. For the record, the Cowboys had a total of only four primetime games that season.) Regardless, it seems the 22-20 rule or whatever it is wasn’t prohibitive (or else the NFL would have flexed in an AFC game this week), which I guess explains why I was the only one worried about it.

And ultimately, Rams-Seahawks was selected for the same reason Broncos-Chargers was selected two years ago: it was the only game guaranteed to have playoff implications before primetime, after all the other games were played. Bears-Packers was very unlikely to become irrelevant; it’s a win-and-you’re-in game for the Packers, and the only scenario I can think of where a Packers loss wouldn’t disqualify them from the playoffs would still fall on the strength-of-victory tiebreaker. But that was too much for the NFL, who went for the absolutely sure thing even though it’s a complete dog between two sub-.500 teams from iffy markets for the NFC Worst where I’m rooting against my own team just so the division winner can finish at .500.

(Incidentially, I watched KING-TV’s “Pete Carroll Show” Sunday night in its timeslot that was adjusted because of the cancelled Sunday night game, and they advertised Rams-Seahawks taking place at 1 PM local time. Granted, the flex probably hadn’t come down yet, but I didn’t even see a notation that the time was subject to change. Then again, considering I think the time was listed as “1:05” in a Fox doubleheader week…)

The real story, though, from the last few wild weeks is that the NFL’s decision to schedule all division matchups Week 17 has effectively screwed NBC that week. NBC now appears to be stuck with either division title games in weak divisions like Rams-Seahawks, or lucking into two wild card contenders in the same division entering the final week tied at the edge of the playoffs (or a game apart with the team behind holding the tiebreaker if they win) AND playing each other.

Consider, for a second, two tied teams in the same division that don’t play each other. If the team with the tiebreaker wins, the team without it has nothing to play for. If you put the team with the tiebreaker in primetime, then if the team without the tiebreaker loses, the team with it also has nothing to play for. Putting the two teams a game apart just makes it worse. You need the two teams to be tied AND you need the tiebreaker situation if both teams win to be different from the tiebreaker situation if both teams lose. But the first three tiebreakers are: division games, common games, and conference games, and the NFL has made sure both teams are playing a game that’s all three. Remember, we needed both teams to have the same result, so all three tiebreakers will move in the same direction as well. The next tiebreaker is strength of victory, which you can’t count on.

The situation for the wild card, when competing against teams in other divisions, isn’t much better. The same constraints as in the first half of the last paragraph apply. The first tiebreaker (after head-to-head) is conference games, which both teams are playing. The next tiebreaker is common games, where an opening appears, since common games among teams in different divisions are rare, unless the teams’ divisions played each other. It’s conceivable for one team to play a common game while the other doesn’t… but then the best case scenario is that the two teams finish tied in the common games. And what’s the next tiebreaker? Why, strength of victory, of course. Perhaps the NFL will change its schedule structure or tiebreaking structure to fix this if it adopts an 18-game schedule, but in the meantime NBC is stuck hoping for effective play-in games, and further that they won’t be dogs like Rams-Seahawks or Broncos-Chargers. Games like Bengals-Jets last year will never find their way to primetime again if this continues – of course, that was a game between teams in different divisions.

Meanwhile, after a couple of years of moving one important-yet-not-quite-primetime-worthy game to the late-afternoon time slot, the NFL just threw the whole lot to the late time slot this year. Now, the AFC West is already locked up and Fox would be stuck with Cardinals-Niners, but I almost think every single game with any conceivable playoff implications got moved to the late time slot, as the NFL seemingly took a cue from the World Cup and went “let’s make sure teams competing for the same spot play at the same time”. The Jags, Packers, Colts, Giants, even Eagles-Cowboys will be played at 4:15 PM ET. The decision not to move Bucs-Saints is actually a little surprising, but I guess they had to have some reason for people to watch Fox in the early time slot.

What do I take from this? I take from this that I need to de-emphasize the “22-20 rule” in future years, something I would prefer to do anyway. And I take from this that in the future, if the NFL continues scheduling Week 17 division games, the Week 17 pick may be a lot simpler than I had been thinking – but the NFL may still find itself with zero options, as I feared the 22-20 rule would leave them with. Imagine, if you will, that the Rams had won just one more game over the course of the season, say Week 1 against the Cardinals, or even Week 2 against the Raiders, and already locked up the NFC West by this point. Now what does the NFL do?