Truly, the end of an era. Hopefully, not of the earth.

If I’m going to give my critical thinking skills a workout, I need to give my critical thinking skills a workout. And since I hope to do a lot of thinking over the course of my life, this should be an important and positive excersize for me. So you know what? I don’t care anymore that no one’s pitching in at the Global Warming Open Thread, or e-mailing me with their arguments. It’s going to be a bit more work for me, but it’s work I probably should do. … It’ll be a more fulfilling experience for me, building skills I’ll need to do more of these series in the future, perhaps even skills that will prove useful for snagging a real job or at least doing well in college. … If there’s a downside, I might not have as much information as I’d like if it doesn’t pop up right away in Google, and I want as complete a picture as possible for this heady issue. But I think it’s worth the risk from a personal growth point of view, and I hope you’re all along for the ride.
Me, in April

Do me a favor: Next time I say something like this, give me a good smack upside the head.

Seriously, I actually thought this would be a “personal growth” experience instead of my own personal hell?

I’ve been in a bit of a schedule crunch for the past few months, with a lot of stuff on my plate and some of my school studies starting to suffer a bit. The worst part, and the part that I think has been dragging me slowly insane, has been the global warming series. You may have gleaned some evidence of this from the increasing lateness of the strip (seriously, I posted the strip at 7 PM PT yesterday?) and from some of my Twitter posts, but I haven’t been in the mood to do research for the series as much as I’ve needed since entering the second phase. Research for the series started out as not too bad if time-consuming and sometimes shied away from, but it has since become an obligation I really haven’t wanted to do, a job I tack on as an afterthought after doing everything else, especially since starting my recent summer class. I told myself, as was hinted in a recent strip, I had to maintain a daily schedule to finish the series as fast as possible, but for most of the second phase I’ve rarely worked more than one strip in advance.

What’s more, the sheer weight of the research required has started to wear on my brain. You’ve seen me start to give a more pro-global-warming bias than I ever intended to give, failing to properly explore arguments, and breaking them off prematurely – or over-relying on waiting strips that move the argument precisely zilch, often essentially repeating prior arguments. This series hasn’t “given my critical thinking skills a workout”, it’s worn them down to nothing.

All that might be excusable if I had touched off the open debate I hoped to start, or attracted the people I hoped to attract to Sandsday to explore the debate for themselves as I present it. But not only has none of that happened, readership has actually gone down compared to the preceding video game strips. Previously the strip, according to Project Wonderful stats, averaged about five page views a day; right now I’m lucky to get two. The Sandsday ad box has actually been delisted, something that never happened before – suspended for no one loading the box, but not out-and-out delisted for poor performance.

So all that leads to the development at least hinted at in today’s strip: I am suspending – not aborting – the global warming series for about three weeks, maybe four. During that time we’ll go back to the sort of strips that characterized Sandsday before the series began, that is to say, video game strips. Afterwards, the series will start up again. However, once the series starts up again I will not hold myself to a daily schedule, but will instead do research when I feel like it and release strips accordingly. There may be long swathes without any strips at all, or periods where a lot of strips are released, one a day for weeks. I will allow the series to play out more organically and naturally from here on out until it reaches a conclusion. Once the series reaches an end I will end Sandsday right then and there with my final verdict. I’ve considered ending the strip before – at one point I was considering ending it at #500 – but the inability of the global warming series to increase readership and its increasing job-like nature have convinced me that I probably will never get the readership I’d hoped for and probably will never find the strip as enjoyable as I would need to to continue with it.

Sandsday will not be the last comic I do, not even the last webcomic; I have at least two other ideas I’d like to bring down the pipeline, although they almost certainly won’t be ready before the site relaunch. I still stand by the basic gimmick of the strip even if I was not able to utilize its potential in the way I had hoped for, and I feel like I’ve tarnished the gimmick in some way by working on it myself instead of leaving it for other, more talented writers to pick up. I would like Sandsday to go down as an experiment that I used to help build my writing abilities by getting in over 500 reps over a period of nearly (if not over) two years. I’ve gotten some appreciative comments about the strip; I have also gotten some comments that have told me to, essentially, get some art lessons and abandon this hopeless carcass. Through it all, I maintained a streak of consecutive days with a strip that will run to over 550 by the time I start dropping strips. I don’t take the decision to end the strip lightly, but I trust that with the time I’m freeing up by ending the strip, there will be more and better stuff to come into the Morgan Wick Online Universe that will make up for the loss.

I’m sure the only reason the pigs aren’t airborne is because it’s heavy overcast.

Day 94 of the BottomLine watch. Over three months since an ESPN spokesperson told Sports Media Watch the new BottomLine would be back “soon”. I’m starting to think it may not come back at all, or at the very least it’ll probably be another six months…

…what’s that? What’s that thing at the bottom of the screen? The… the new BottomLine is back! I knew it was only a matter of time! Naturally I have some thoughts:

  • When the BottomLine first disappeared I gave a list of some things that maybe they were adjusting it for. It certainly appears it now has “SCORE ALERT” functionality, but it also has a bunch of graphic spiffiness involving the divider between the score and stats – which, while I liked the shrinking of the score, if adopting that functionality is part of the reason the return of the BottomLine took so long, they need to take another look at their priorities.
  • Looks like ESPN2 isn’t losing the last vestiges of its identity after all, as the ESPN2 BottomLine still says “ESPN2”, albeit because my SD TV has problems with centering (or that could just be my cable box) it’s partly cut off. They’re clearly locating both logos differently vis-a-vis the right side of the screen (and each other) compared to the old BottomLine.
  • It appears that, regardless of program, it’s simply “ESPN BottomLine” except on SportsCenter. Granted, I only noticed the change on Jim Rome Is Burning, Around The Horn, and PTI, not on studio shows like NFL Live and Baseball Tonight.
  • Why is it, say, “RANGERS VS ORIOLES” for baseball when a game hasn’t started yet, but for, say, the Gold Cup, it’s “USA” and “HONDURAS” in separate boxes as though showing the score, as in the old BottomLine? If it’s to condense the display to show when a game is on an ESPN network and 360, why is it condensed for the other baseball games, and why isn’t it condensed for soccer? Personally I prefer the separate-boxes approach, the other way is just gimmicky…

While we’re here, let’s take a look at other developments in the world of sports graphics:

Remember when Versus introduced a new banner at the NHL Conference Semifinals? Well, for the Conference Finals, and continuing through its Stanley Cup Finals games, Versus changed its banner. Again. So, which was the banner they originally intended to adopt for the long haul? Was the change a response to people’s criticism of the old banner, or was the old banner always a placeholder until the new one was ready and they were too embarrassed about the previous banner to wait?

Or is this the placeholder while Versus updates the other graphics? Because if there’s one thing that marks this graphic, it’s the return of the old fonts. Beyond that, the main features are the addition of black-on-white boxes for the period number and time left in the period.

Meanwhile, it’s official: the gray, two-line box is becoming a trend. Fox adopted it not only for FSN, but for its own baseball broadcasts as well, and ESPN turned it into a strip; now TBS has joined in on the fun. But TBS seems to be insanely protective of its video; not only can’t I find any video of the new TBS box online that I can embed, ESPN and other outlets (even MLB.com!) use local feeds for their highlights of TBS games (which means there aren’t even any highlights I can’t embed). But they can’t shake this forever, and you will see a full analysis of the TBS box come this October.

In tennis, ESPN moved the banner it introduced at the Australian Open to the top of the screen at the French for some reason. Somehow I think that wasn’t the only change; the strip seems bigger for some reason. Whatever it is, it seems more amateur.

At Wimbledon, however, perhaps as a result of realizing that the banner was potentially confusing and maybe even in preparation of transitioning tennis onto the new MNF-styled banner, ESPN rolled out a small, compact box, but kept the “scoreboard” aspect of, among other things, showing deuce as 40-40 by placing the points alongside the game count and abandoning server-first order entirely (again). It’s a big improvement over the Australian/French banner in my opinion, one of the better tennis graphics ESPN has yet tried that isn’t a carbon copy of the norm in this country.

It appears ESPN took one lesson from the world feed, but not the one I suggested last year upon seeing their abomination of a Wimbledon graphic – the points display here is similar to that used by the world feed. All that’s left is showing number of sets instead of score of sets and abbreviating last names! Okay, not so much…

Random Internet Discovery of the Week

I’m linking to this even though I’m not sure how useful it would be (I use an Excel spreadsheet as a “checkbook” of sorts) and I’m announcing right now that this will be the last RID under the status quo. That sort of violates the Da Blog Poll, on which the only vote I received was the one I was least a fan of – “leave it as is” – but that’s no longer an option.

StumbleUpon has either radically broadened the choice of categories to the point that it now requires categorization of the categories, or has merely broadened the choice of categories available to me. There is a cap of 127 categories, and there are far more categories than that to choose from. The previous thesis of the Random Internet Discovery was that I was opening your horizons to stuff from every category.

If the RID is to continue, it will have to involve some sort of cap on topics, some form of selectiveness. I’d really rather not have my topics determined by the fact I was subscribed to them before getting a broadening of my options. That’s practically the same as having them determined at random. So I’m reopening the Da Blog Poll I conducted when the RID was just beginning. Selecting all the topics is not an option, so the question simply asks whether I should select the topics myself, poll you, discontinue the RID, or something else. (If I was scared at a potential 78-topic poll a year ago, imagine the chaos that would ensue with hundreds of topics! That may have to be a comment thread, not a poll!) The poll will run for two weeks and the topics will be self-selected next week, along with a list of the topics I would select.

Hilarity in cereal tie-ins.

So today I finish off a box of Frosted Mini-Wheats and I happen to notice the giveaway on the back of the box.

As a tie-in for the Star Trek movie, it allows you to send in for a “Starfleet T-shirt” so you can look like you’re on the Starship Enterprise. The shirts are available in blue or red.

“For just nine tokens, or one token plus $9.99, you can own the original red shirt! Wait, where are you going? How come we’re selling out in blue but haven’t sold a single one in red?”

Draft Image Upload seems to be back in proper working order, at least in Chrome, not that it’ll help Blogger that much.

(From The Order of the Stick. Click for full-sized harmless moments.)

This post is really an excuse to talk about the two prior strips. After all, I’ve been sorely remiss in not posting on #665, which at long last returned Roy to the land of the living. Not only did Roy originally die in #443, meaning the ostensible main character was dead for a third of the strip’s entire existence, but as someone on the forum pointed out, Roy originally died over two years ago, when Da Blog only had a score of posts and I was only recently removed from the residence halls at school. That’s only a little more than six months after my original User Friendly archive binge.

Not only that, but with Roy’s resurrection and the deus ex machina that returned de-spliced-V to the OOTS, we have reached a state some people probably thought we’d never reach again: the entire OOTS is in one piece and unencumbered by any sort of weird temporary effects, whether negative (Belkar’s Mark of Justice, Roy’s death) or positive (spliced V). The last time we could say that about the OOTS was right before Haley started speaking in cryptograms, and the incident that caused that was back in #245, meaning a good 63.2% of the strip’s existence to this point (nearly two thirds) has been spent with the OOTS dealing with some issue of some sort. It seems almost inevitable that another such issue will crop up soon (albeit in the next book and probably not until the next gate), and the chances are it’ll be something fairly permanent (especially given all the death prophecies floating around out there), meaning this brief respite of a whole OOTS changed only in character development from the dungeon crawling group (well, and the presence of Celia) almost seems to be something of a plot hole.

Speaking of death prophecies, re-reading some of my original comments on Belkar’s faux-character-development has given me something of a new perspective on strip #666, and an incident in there that tells me I wasn’t far off in my reading of the situation: Haley’s skepticism about Belkar’s new “team spirit”. Recall what I said in my original post:

Nudge die rolls, palm cards, “forget” penalties… but you have to sit down to play first. As long as the people at the table see a fellow player across from them, they’ll tolerate you. A crooked player is a pain in the ass, but someone who refuses to play at all makes them start questioning their own lives – and people HATE to think. They’d rather lose to a cheater than dwell too long on why they’re playing in the first place.

The apparent implication of this speech is that it doesn’t even matter if the other players know Belkar is cheating, so long as he plays at all. It’s entirely possible that Belkar could continue to be the same stabby, backstabbing jerk he’s always been, so long as he gives a rat’s ass about what everyone else is doing, and doesn’t display a willful ignorance of the rules.

However, I also said that Belkar didn’t seem to interpret it this way: he seems to interpret it as meaning that he needs to follow the same moral framework as the rest of the OOTS, whereas I felt he only needed to know what it was. He could be a “team player” without sacrificing one ounce of his personality. Regardless, the effect is the same in more ways than one: sure enough, Haley and Roy know damn well what Belkar is doing (if not the details of it)… but the reason they’re not doing anything about it isn’t the same reason that Shojo provided. Sure, they appreciate having a “team player” Belkar, but if it were as simple as that they’d probably still keep Belkar on a short leash; they know that Belkar can’t do much given the short amount of time he has left.

As for Vaarsuvius… as it turns out, she learns two lessons in one in this strip (which practically begs for Belkar to call out its weepy sentimentality regardless of whether or not it deserves it). The one she’s already learned is the lesson regarding blunt force; but while she’s already learned about doing small things, Durkon now teaches her about accomplishing small things, regardless of whether they were done in anger (teleporting the fleet) or desperation (saving O-Chul). The first lesson involves a potential future change in strategy for V; the second means she might whine less when confronted by a sidequest or a seeming failure (or at least might decide to do something different when confronted with a situation as hopeless as this).

(Hmm. One: for some reason, the Heal removed the bags around V’s eyes that have been present, except during the splice, for the entire book. Okay, I can chalk that up to the “rejuvenating effects of the splice”, but I still wonder about long-term implications. Two: did V just use her tiara or head-ring or whatever it is to put her hair into a ponytail instead of supporting her old style without explanation? Huh? Well, it makes me more convinced than ever V’s a she at least…)

Random Internet Discovery of the Week

Okay, right as I’m moved to ditch the RID entirely, I finally find something worth commenting on. Because this is pretty much pseudoscience.

First of all, I kind of doubt the underlying idea that cravings for certain types of food are really cravings for the things those foods contain. Especially when one of the claims is that if you’ve got a hankering for alcohol or drugs, it’s not because you have an addiction to the drugs themselves; you just need to find alternate sources of protein, calcium, and potassium! (Similarly, if you’ve got a hankering for tobacco, it’s not nicotine you’re craving, but silicon and tyrosine!) Second, that’s just one example of these people providing one thing and then a laundry list of things you might really be craving instead to the extent you wonder “Wouldn’t it be easier to give in to the craving and not have to pick one thing from column A and one from column B?”

Oh, and “bread” or “toast”? These people really believe in the Atkins diet and other low-carb diets, don’t they? Then again, they think “cool drinks” are a sign you need manganese and should gorge on things like walnuts instead of a sign you need, oh I don’t know, hydration or, say, to cool off

Speaking of hydration, if you have a preference for liquids rather than solids, what you need is water (and you should get it from flavored water? WTF?). On the other hand, if you have a preference for solids rather than liquids, you also need water because you’re so dehydrated you’ve lost your thirst!

Then again, it’s all coming from a naturopathy site preaching one guy’s back-to-nature New Age crap, so maybe I shouldn’t be surprised at the misinformation… (No, wait, it’s the mainstream that’s peddling misinformation! It all makes sense now!)

This isn’t about the past. This is about the future.

One year ago last week, I began doing webcomic reviews on Da Blog.

Recently, I’ve been having a crisis of confidence about the whole enterprise.

This should be obvious enough to anyone who read my 8-Bit Theater review. Quite frankly, I completely stalled while writing it. I found myself trapped in a place where I couldn’t say much more than “It’s a webcomic, and it’s not Order of the Stick. Um… it loves non-sequitur. Um… it… structures its updates well. Um… I got nothin’.” Roger Ebert (or even Eric Burns(-White)) I’m not.

Now, maybe that’s just a symptom of how dull and repetitive 8BT is. But 8BT really just put into focus a trend that’s been dogging me for some time. Quite frankly, I’m not entirely sure what my audience is or what it should be. Am I writing for the average person to let them know what’s good in webcomics? Or am I writing for Aspiring Webcomickers Everywhere to identify what certain webcomics get right and wrong?

It shouldn’t be that difficult to do the former – is a webcomic entertaining and captivating? But not only is the answer to that question dependent on each person’s tastes, it’s actually a lower bar than a lot of people give it credit for. People in English courses and otherwise preoccupied with deconstructing every layer of meaning out of a story will find things to object to in strips like Ctrl+Alt+Del by nitpicking every ounce of it. But to be honest, most people don’t care about all that. All they care about is that it’s funny. As long as a comic meets the relatively low bar that it be entertaining (for a humor strip) or addictive (for a strip with continuity), it’s probably going to attract an audience. I really don’t need to say much more than answer those two questions for you to know whether or not you’ll want to follow a given strip. (This is where I keep trying to condense the size of my reviews, yet I keep feeling they’re too short.) This may explain some of the popularity of Twilight despite geeks hating it with a passion: it’s really a romance novel and no better or worse than any other romance novel, but because it happens to have vampires it attracted geeks who expected a sci-fi story and held it to a standard it should never have been expected to be held to.

(Note that Ctrl+Alt+Del, at the moment, is starting to turn even me off. Yes, of course it’s a good idea to give Zeke a mate! It’s not like that’s a hokey, boring stock plot for man-made life going back to the original novel of Frankenstein! What’s that? Why aren’t you making a she-Zeke (only now you are)? Of course, it’s because Zeke owes his sentience to a myste-e-e-e-erious X-factor that can’t be easily duplicated! Because that’s completely original and not at all hokey and boring itself, and certainly not a lame attempt to jack up the melodrama you’ll probably bust through and give us a she-Zeke anyway! On the plus side, at least we have the beginnings of an explanation for why Zeke could be created by freakin’ Ethan…)

A lot of my reviews have been written with an eye towards teasing out the differences between webcomics and other art forms, and with no small eye towards what lessons I myself can learn as an aspiring webcomicker. My reviews have typically been written with this as a base: am I continuing to read this comic going forward, and why or why not? But answering the latter question tends to lead me to present the answers as things that other webcomics can follow.

I don’t do a lot of saying, “This webcomic is good and here’s why you should read it”. I honestly can’t answer the latter question. I can only say, “Just read it, I found it good.” (CAD is a good example; I started reading it because I found it entertaining – and you can’t really explain what makes a joke funny – and addictive, which basically translates to, “I want to find out where it goes from here,” regardless of what “it” is.) What I teased out as the reasons why tends to be technical stuff that would bore the average reader and says little about the content of the comic, and is more suited towards Aspiring Webcomickers Everywhere, so I end up saying, “This webcomic is good and here’s what they’re doing that you should be too.” At least one other webcomic review blog embraced this whole-hog and frames its reviews as the answer to a question: “What did I learn?” I’m not convinced, though, that this is the best way to review webcomics, or anything.

I think I need to go back to my heady early days when David Morgan-Mar was praising me for my review of Darths and Droids, and even six months ago when Robert A. Howard was praising me for my review of Tangents. If you read my Darths and Droids or original OOTS reviews, you see that a key element of the former is a deconstruction of the key elements of the strip, attempting to tease out exactly what it is that makes it tick (a similar element to what made my Tangents review stand out, in fact – I think my review of the Floating Lightbulb might be my best review in a while for this same reason). It’s almost a “just the facts, ma’am” approach to reviewing webcomics, as long as it’s also balanced with an attempt to find out whether or not I like it, and if it’s popular, trying to find out why that is (indeed my original OOTS review is little more than straight description). I took my original inspiration from Websnark and it’s the Websnark model I need to at least try to return to.

I think my real problem comes when I try to review something I don’t like. I’ve said this in the past, but I don’t like making an impact on anything, and whenever people seem to think I want them to change their sites they often belligerently respond with variants of “it’s MY site and I can do what I want”. (This is one reason why my Tangents review seemed to go horribly wrong after Robert A. Howard himself showed up – even when he took me seriously it freaked me out a little bit.) One of, in my opinion, my better reviews is my Dresden Codak review (which I think did a better job than the similarly negative, but more disconnected, 8BT review – I probably should have re-read my DC review once I decided to make my 8BT one negative), which broke down everything that I saw as going wrong with the strip. Does that mean I want Aaron Diaz to change any of it? Not necessarily. If that’s the way he wants to take the strip that’s the way he wants to take the strip. I’m merely reporting on what I see as wrong with it, for the benefit of shoppers who are considering adding to their webcomic plate (or starting one). But even in that review, there’s an element of “what did I learn?” in there, trying to take lessons from Dresden Codak and apply them to webcomics in general.

Part of the difference is that originally, and lasting all the way through my post on art in webcomics, the general statements I was making were directed towards the webcomic community. But as I had run-ins with Robert A. Howard, and (in February) with David Morgan-Mar over a slow patch in Darths and Droids (the latter of which I’m not sure will subside until Attack of the Clones does), I needed to defend the negative statements I was making towards webcomics that I didn’t actually expect any action on, and I decided I was really writing for Aspiring Webcomickers Everywhere to help them avoid the pitfalls. If I’d reread my Dresden Codak review I’d have seen that sometimes the problems are just too endemic to fix, and I wasn’t always making negative statements to help anyone “avoid pitfalls” at all. I need to restate my mission: I’m writing reviews to deconstruct a webcomic’s elements to determine whether or not I like a given webcomic and why, with an eye to observe a webcomic in motion and with an audience of potential webcomic readers first and the webcomic community second, with maybe a tertiary audience of Aspiring Webcomickers Everywhere.

But first I need to rest my brain from the heavy work I’ve been putting it through, especially given the class I’m in at the moment and the paucity of work I’ve done for it. So it’s likely that – with the exception of a post when the current book of OOTS ends – there will be no more webcomic posts until late July at the earliest. I’m hopeful that with this re-examination I can return to my roots and create webcomic reviews more on par with what I’ve written in the past. I may even re-review some comics I’ve given subpar reviews to, though that’s likely more of a long-term project. (For me to give a more meaty review of Girl Genius than the one I originally gave, for example, I’d probably need to go on a fairly lengthy archive binge.)

By the time I do return to webcomic posts, though, it will be a rebirth of sorts in more ways than one, because in all likelihood I should have completed a relaunch of Da Blog and the web site, which could be perhaps the most major development to come to either before or since, finally taking Da Blog and the website off of Blogger and Freehostia. (Not that my new file manager completely fixes all the problems I had with Freehostia’s.) One development that will result from this will be the merger of Da Blog with the web site, allowing all my major online presence (outside Twitter) to be housed under one address and one banner title, instead of awkward names like the Morgan Wick Online Universe or the Morgan Wick Sites.

I don’t intend to give away too much right now, but one reason this relaunch hasn’t occurred already is because I intend to blow up some of my more common labels into full-fledged sub-sites (and the software I’d need for that isn’t as up-to-date as I’d like). For example, my sports posts should be merged with the Morgan Wick Sports section of the site. As a result, my webcomics posts will become an entire site of their own (still connected to Da Blog though), with the potential for a comparable level of support material you might not necessarily expect from a blog alone. So I’d like to ask you: what would you like from a webcomics review site? I definitely hope to include an index to my reviews to aid in finding them, and maybe links to better organize access to the Webcomics’ Identity Crisis series, but what else might I include to take advantage of having an entire site devoted to webcomics as opposed to a blog, even a glorified one?

By way of analogy, I could look at the web site of a movie reviewer, such as Roger Ebert’s site. That site contains reviews (obviously); the Answer Man column, answering people’s questions about the movies, which might not be terribly portable to webcomics, which I wouldn’t be qualified for because I don’t read that many webcomics consistently, and which would be more of a blog feature anyway; the Great Movies columns, which might manifest into a list of links to the good webcomics and webcomic blogs; the Movie Glossary, but we already have TV Tropes, though a guide to some of the terms I use might still be useful, akin to Eric Burns(-White)’s own glossary; “people”, a home to some biographical vignettes, suggesting it might be useful to help tell, say, Phil Foglio apart from Tim Buckley apart from Rich Burlew and Randall Munroe and David Morgan-Mar and Ryan North and Tom Slidell and Jerry Krahulik and Mike Holkins and Scott Kurtz, though that might be a lot of work for little gain (and again, might be more of a blog feature pending the execution)…

…the blog of someone not named Roger Ebert for some reason; “commentary”, not always by Ebert himself or about movies, and probably close in concept to Da Blog itself; guides to film festivals and the Oscars, the former of which isn’t completely applicable (concepts like Zuda perhaps?) and both of which are more appropriate to blog posts (though things like sub-indices might be appropriate); “editor’s notes” that are basically comments by the author of the aforementioned blog; “one-minute” (short) reviews; and the equivalent of “letters to the editor”. There’s also places to search the review archive and get movie times and tickets (again not applicable). Are there any things I could add to a new webcomic review site other than straight-up lists of links? What do you think?

Whatever comes of it, let us plow forward into the second year of my webcomic reviews… and hope it comes out better than the second half of the first.

The people you meet when you Twitter.

I know, I know, follower counts are really meaningless, but it’s still exciting to see my follower count rise over 60. Yes, some of them are spammer accounts, and some are semi-automated accounts that automatically follow anyone who follows them, but there are still enough legit ones that I suspect quite a few of them, maybe even the majority, have to be reading me on Twitter but not Da Blog. (Not that I’ve made things easier with my paucity of posts recently. We’ll see what the effect of this post is, though.)

But I’m not sure about some of these followers, who seem to automatically follow anyone who happens to mention a certain key word relevant to them.

Okay, I can understand AspergerKids and TMS01 following me after I mentioned Asperger’s in a recent tweet. I actually happen to have Asperger’s, so the connection is logical there. But… what the hell is up with GHuntersFansite following me after I said Cartoon Network was starting a Ghost Hunters ripoff? If there’s one thing I’m not into, it’s that sort of claptrap.

I’m not sure whether I hate it for its dishonesty, or whether I love it for the sheer irony of it…